Moving with someone

( through the screen )


How do we hold someone with our presence?

How do we take care of each other when moving together?

The practice of moving (and being) with someone emerged during the pandemic, from my role as a school teacher and from having to teach art lessons to young children through the screen. A girl in my class told me after the lesson has ended that she wanted to stay longer in the lesson with me. When asked why she said she just would like to have someone to be with. It made me think about what might be missing in some people’s lives during times of social distancing. How do we take care of each other when we can only meet through the screen? How can we cultivate the kind of care, attention, openness, and compassion that we need as humans towards each other?

We rest together

we speak, we listen

we move, and we sing

There is so much joy in the being with

we giggle sometimes

and we rest deeply


Seeing moves us

I see her while she sees me

that seeing holds us

like an invisible thread

we are held by the seeing and being seen


Thank you for holding me with your presence

Thank you for being with me

Thank you for letting me see you

and through that I see myself


- Moving with Franzi, 7 July 2021

Mirroring

Bodies mirror each other when feeling connected, it is intuitive in us, not only through the screen but it is something we have all experienced in person. In the practice, we follow our curiosities and intuition, we let the movements of mirroring each other unfold, we attend to that unfolding consciously. It is an improvisation, a continuous dance between two people.

In our own kinesthetic space while present for others

There is a sense of playfulness. While being present for someone, we have our own space to rest, expand and move. Sometimes our gaze moves away to see our own space, to feel what is happening within our body and to attend to our own needs, but there is still the awareness of the other person being there and present.

Movements of care

The movements emerge between a constant back and forth of caring for oneself and caring for another. In the practice, it manifests as someone leading and the other following and the roles can switch at any moment.

Movements come, not because of the desire to perform, but because of the moving awareness and attention to each other, even if that means to explore an unfamiliar physical form or to rest together in stillness.

This movement practice would not have been born without my student in the school

or my friend and fellow movement artist, Franziska Böhm, who practised with me with immense openness, curiosity and care.